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has carved a skeletal, resonant sound out of enormously expensive samples. (He’s also back working with Common again, helping him craft some of the best old-man rap music in recent memory.) As the producer behind 4:44, No I.D. Lately, he’s been working as an executive at the Capitol Music Group, and he’s been shepherding projects from hugely promising young rappers like Vince Staples and Vic Mensa. has been making classic rap albums for even longer than Jay he’s the man who gave Common Sense’s 1994 masterpiece Resurrection its soulful sweep. Jay’s choice of producer is both fascinating and canny. And for the first time in his career, he’s done the old-school thing and recorded a whole project with a single producer. He’s kept things brief at half an hour, 4:44 is far shorter than any previous Jay album, even if you count the Streets Is Watching soundtrack. Much of the time, he half-ignores the beat, expounding over the top like he’s expansively dictating his memoirs into a tape recorder.
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As a rapper, he sounds like he’s speaking to himself, not inhabiting the dreams of an entire outside world. The four-year break between that album and this one is longer than the stretch of time that Jay was supposedly retired for, and the man we hear on 4:44 is strikingly different in every way.
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The last time we heard from Jay, it was 2013’s Magna Carta Holy Grail, a miscalculated mess that drowned itself in syrupy guest-hooks and sleepy mogul-talk. And it’s the best thing he’s done in many years. In 4:44, Jay has made an album utterly free of commercial consideration, one without a single track for the club or the radio or whatever audience Jay had in mind when he made “Change Clothes.” He’s made a short, compact, soulful, emotionally soul-baring internal journey of an album. But now we know how this Jay - the 47-year-old, richer-than-fuck Jay - sounds when numbers are no longer a consideration. We’ll never know how that Jay would’ve sounded without any commercial pressure. It also raised questions: How might a Jay-Z album sound if Jay didn’t have to worry about commercial considerations? Jay had his own ideas - how if lyrics sold, truth be told, he’d probably be lyrically Talib Kweli - but that never sounded quite right. And here he was, saying that what we’d been hearing all these years was the watered-down, altered-for-consumption version of himself. Jay was, if not the best rapper working at the time, at least top three. At the time, it was a remarkable admission. Now, with the new album out, you can begin taking in all of the tracks listed above - that’s if you haven’t done so already.“I dumbed down for the audience to double my dollars.” That was Jay-Z 14 years ago, just before his fake retirement. Jay-Z doesn’t drop albums all that often anymore, so to say that this is quite a big deal would be the understatement of the week. The new album from Jay-Z consists of 10 new tracks, and you can view that list right here below. Well that time has come and gone, and those with a Tidal subscription are currently taking in the new material from one of the greatest of all time with much joy after all this waiting. ET on Friday, because that was when Jay-Z would drop his new 4:44 album. Well, that has been the case as of late, as everyone has been waiting for 12:00 a.m. It goes without saying at this point, given the amazing career that he’s had, Jay-Z is one of those performers who can have the entire world buzzing. Jay-Z released his new 4:44 album on Friday morning via Tidal, and here you can find the complete track list.Īlbums drop by artists all the time, but there are few artists out there that can create a buzz for some new material that has everyone on the edge of their seats waiting in anticipation.